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Tinsel ash
Tinsel ash
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HISTORY
Pichwai paintings are beautiful examples of India’s traditional art and craftsmanship. The word ‘Pichwai’ comes from pich (back) and wai (textile wall hanging), as these paintings were once hung behind the idol of Srinathji in temples. Over time, handcrafted Pichwai art has evolved to include not just religious themes but also peaceful scenes of nature, flowers, and animals.
DESCRIPTION
At the centre of the composition stands Shrinathji, portrayed in his divine, youthful form lifting the Govardhan mountain to protect the villagers of Vrindavan. Surrounding him are gopis (devotees), carrying pots of offerings and singing praises, symbolizing eternal devotion and divine love.
Above, celestial beings and attendants are seen paying homage, while lotus motifs, cows, and trees at the base evoke purity, abundance, and the pastoral beauty of Vrindavan all recurring themes in Pichwai art. The golden shrine backdrop, stylized palm trees, and intricate borders filled with miniature deities highlight the grandeur of the divine setting.
Painted by skilled artisans, this work follows the traditional Nathdwara Pichwai technique using natural pigments, fine brushwork, and symmetrical composition. The delicate silver and gold tones in Tinsel Ash lend it a luxurious sheen, reflecting Khenshu’s signature blend of heritage craftsmanship and modern elegance.
MATERIALS: Locally sourced - all organic crushed stone dyes, Fine spun cotton.
PROCESS AND CRAFT
Our paintings are made on fine spun cotton fabric using all natural organic dyes made from crushed natural stones found in Hilly regions of northern India.
The crushed stones are mixed with natural gum and water to form paint-like consistency.
The artwork is further adorned with gold leaf, sometimes 24 karat gold leaf to give it life.
These Pichwai paintings are also made on canvas or paper.
NOTE: Vintage inspired Paintings often have intentional discolouration and creases, made to add value and retain its authentic vintage aura. These are authentic paintings made by Indian artisans.
CARE
The painting should not be regularly cleaned, but only when required. The front of the painting should be cleaned gently with a soft brush to remove the loose dust on the painted surface.
If you want to use the painting without a glass backing, keep the painting away from moisture and humidity.
If you want to have an artwork in a location where there is direct sunlight at times, do consider having it framed behind a UV protected glass.
Paintings made on paper or canvas need to be framed in glass.
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